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History repeats itself with dancing daugters

Justine Barber - A Perfect Score

Royal South Street celebrates its 130th Anniversary

Brother and sister win the U14 and U16 Leannie McInnis memorial award

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History repeats itself with dancing daugters

 

Ellie Michael and Lucy Pyke 1072 x 712Ellie Michael followed in her mothers footsteps dancing her way to victory on Saturday 3rd October in the 2009 Courier Classical Ballet Solo. Ellie's mum and teacher Anita won this section in 1984 and 1986. Ellie is a student of the Carole Oliver School of Ballet and has had a successful year at South Street winning all of her solos.

Lucy Pyke also danced in this years Courier Classical Ballet Solo, her mum Lisa won this section in 1978. This is the first time in the history of the competitions that a mother and daughter have won this prestigious section.

PREVIOUS WINNERS OF THE COURIER CLASSICAL BALLET SOLO

1945 Patricia Bryson, Northcote                                       1946 June Storen, Sth Melbourne
1947 Allie Rogers, Yarraville                                             1948 Dawn Hubbard, Northcote & Joy Heaton, East Brighton
1949 Dancing Sections Cancelled                                  1950 Joanne Peters, St Kilda
1951 Marjory Walsh, Launceston TAS                            1952 Daphne Salmon, East Brighton
1953 Daphne Salmon, East Brighton                             1954 Wendy Maddigan, Pascoe Vale
1955 Adrienne Opie, Ballarat                                            1956 Lorraine Baker, Redfern SA
1957 Valerie Clinch, Melbourne                                        1958 Rosina Himing, Moorabbin
1959 Suzanne Gooda, Frankston                                     1960 Jennifer Sholl, Middle Park
1961 Jennifer Sholl, Middle Park                                      1962 Christine Zakas, Kew
1963 Christine Zakas, Kew                                               1964 Christine Zakas, Kew
1965 Geraldine Adderley, Preston                                   1966 Geraldine Adderley, Preston
1967 Victoria Swann, Melbourne                                      1968 Lana Pappas, Clifton Hill
1969 Gabrielle McConachy, East Bentleigh                   1970 Gabrielle McConachy, East Bentleigh
1971 Lynne Stubbs, Kew                                                   1972 Lynne Stubbs, Kew
1973 Leanne Rutherford, Bendigo                                  1974 Debbie Brooke, Sturt SA
1975 Maxine Lockwood Torrens Park SA                       1976 Pamela Waghorn, Wendouree
1977 Debbie Farrow, Ballarat                                           1978 Lisa Harris, Ballarat
1979 Debra Farrow, Greensborough                              1980 Susan Romey, Wendouree
1981 Gabrielle Kennedy, Leigh Creek                            1982 Cheryl Edmondstone, Traralgon
1983 Andrea Wigg, Morwell                                               1984 Anita Weightman, Wendouree
1985 Karen Mason, Ballarat                                              1986 Anita Weightman, Wendouree
1987 Laura Hosking, Wendouree                                    1988 Kim Duggan, Wendouree
1989 Kylie Wilson, Beaumaris                                          1990 Julie Richards, Wendouree
1991 Julie Richards, Wendouree                                     1992 Sophie Twaits, Mt Clear
1993 Andrea Robertson, Hamilton                                   1994 Kate Jarvis, Wendouree
1995 Elisha Willis, Surrey Hills                                          1996 Kerry Deans, Mt Helen,
1997 Amy Harris, Wendouree                                            1998 Kim Haddon, Williamstown
1999 Kristy Biggs, Beaumaris                                           2000 Erin Devlin, Canterbury
2001 Brooke Lockett, Invermay                                          2002 Jacinta Christos, East Malvern
2003 Alice Robinson, Wheeler Hill                                    2004 Kristy Corea, Narre Warren
2005 Eloise Renouf-Fryer, South Caulfield                     2006 Meg Brandenburg, Ballarat
2007 Caitlin Salter, Ballarat                                                2008 Brittany Haws, Aspendale Gardens
2009 Ellie Michael
 

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Justine Barber - A Perfect Score

Justine Barber- Piano 160 x 105

Little did Justine know when leaving Devonport at 6.30am on the day of her performance, then travelling to Launceston, catching a flight to Melbourne and then having her mum drive a hire car to Ballarat along with her Nan as her cheer squad, that she would obtain the almost impossible… a perfect score.


Justine Barber did just that. What every performer hopes to do when they step out on stage, get the perfect score. Justine sang in the Contemporary Vocal solo 11 yrs and under 14 section recently at this years Royal South Street competitions. Her song of choice was "I only want to be with you" by Dusty Springfield. Justine also sang in the Country Music Vocal Solo 13yrs and under winning that section with a score of 94.

“I wanted to compete in Ballarat as South Street is the biggest Eisteddfod and it offers the opportunity to sing with a backing track with vocals which I find really cool. I thought the feedback would be good for any improvement that I needed to make to my performance. I didn't go to win, just for the experience.”

Justine loves singing it makes her really happy. Before performing Justine is constantly telling herself to slow down, she never gets nervous, just really excited. “When the Adjudicator announced that I had won and got the perfect score I then realised I did do a great performance. I was amazed and shocked. I could see my mum and my nan in the audience and they were very excited. I really wanted my dad to be there but he was away working, he is the singer in the family. The most amazing thing was that after I was given the award the other competitors gave me a group hug.”

See Justine's new film clip "It's a beautiful day" on U tube.

 

 

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Royal South Street celebrates its 130th Anniversary

website 6

On July 10, 1879 a group of eight young men, students at the Central State Night School number 33, came together through the instigation of William Duguid Hill. At their first meeting, they proposed to meet every Friday night and indulge their passion for reading, lectures, public speaking, and debating. And so was born the South Street Debating Society, which derived its name from the fact that its first meetings were held in a small hall in South Street, Ballarat. Because of the wealth created by the discovery of gold in the country’s richest goldfield, Ballarat was endowed with many prosperous and generous businessmen who gave generously of their time and wealth to the growth of Ballarat, including the growth of the South Street Debating Society. An early committee of the Society included F. Besemeres (President), W.D. Hill (Secretary), R. Maddern (Treasurer), L. Prichard, W.J.Richards, W.E. Thomas, and F.J. Williams.

The Society quickly outgrew the South Street Hall, and in 1886 the Skipton Street Hall was built. In 1891, singing and music were introduced in conjunction with the annual demonstrations of the Society, and so the South Street Competitions came into being. Prizes in that year totalled 60 guineas, and some 260 entries were received. These inaugural competitions opened on June 16th and closed ten days later on the 26th. On the final night, the prize distribution, a high tea, and a concert were held. The prize presentation ceremony was chaired by the Mayor, C.C. Shoppee; the Governor of the Colony of Victoria, Lord Hopetoun, presented the prizes, and the Hon. Alfred Deakin MP gave an address. The Concert which terminated the proceedings was conducted by John Robson, and the orchestra was under the baton of Harry West. Describing the competition in 1891, a later Secretary of the Society, Lyle Blackman, commented ‘Ballarat discarded the gold of the earth for the gold of the human mind and voice, and took its place among the cultural cities of the world’.

website 2In the years that followed, the Competitions expanded into many areas – singing and music were extended, and acting, dance, and calisthenics introduced; even competitions in spelling, typewriting, cooking, gum leaf playing, gymnastics, and school aerobics have been held on occasions. So began a “cultural” experience for thousands of men and women, boys and girls, of all ages. The first Choral Contest was held in 1897. Brass Bands commenced in 1900 and became immensely popular; bands travelled from all over Australia, New Zealand, and England to perform in Ballarat, including the world famous Besses O’ th’ Barn Band. Part of the performance of bands in the early days was a march from Doveton Street to Bridge Street (now The Bridge Mall). They also attracted huge crowds to the City Oval for aspects of the competition. Bands would also play selections in the Britannia Bandstand, opposite the Mechanics Institute in Sturt Street. 1902 saw Ballarat host a full-scale military tattoo that achieved fame throughout the Commonwealth. Calisthenics commenced in 1903; in 1904, an impetus was given this section by the presentation of the “Coltman Shield” (a valuable and imposing trophy valued, in 1904, at 20 guineas) for Gymnastic contests in apparatus and free exercise. South Street is now Australia's premier Calisthenics competition; in 2008, 4,400 Calisthenics competitors made 19,500 on-stage performances in 4 weeks.

The South Street competitions grew at such a rate that, by 1902, entries (including some from interstate) exceeded 3,500, some adjudicators were brought from overseas, attendances were more than 50,000, and the competitions ran for 5 weeks. The enormous numbers of people involved in the Eisteddfod were boosted by special trains bringing great crowds from Melbourne, Geelong, Maryborough, Daylesford, and Skipton. Needing a venue able to hold such large audiences, the Society built The Coliseum in 1908; this reputably could hold 8000 people, and was built in 77 days. At the same time, the hall in Skipton Street was relocated so as to be adjacent to The Coliseum, and the former was renamed The Atheneum Hall. Other venues were used as well, and sometimes competitors had to repeat their performances in 2 locations! On a March morning in 1936 disaster struck, and in a few minutes The Coliseum was reduced to ashes by fire. A stunned Ballarat public surveyed the ruins, acutely aware of the possible loss of the Competitions. The Society then found what a host of generous admirers it had by the donation of sufficient funds to renovate the Alfred Hall, which had been erected in 1867 as a venue to entertain Prince Alfred, the Duke of Edinburgh, and once more the Competitions were able to be held.

In July 1965, the Society purchased Her Majesty's Theatre in Lydiard Street South. Dressing rooms were added, and upgrades made to the stage and the lighting. In 1987 an agreement was signed between the Society and the City of Ballarat, transferring the freehold of the venue to the City. This was part of an arrangement with the State Government to fund major repairs, upgrades, and restoration of the building to the "heritage authenticity" we know today. Her Majesty's Theatre is Australia's oldest continuously operating lyric theatre, having opened in 1875.

The Royal South Street Society (the Society was granted "Royal" status in 1962 for services to the community) today stages the longest running and one of the largest Australian eisteddfods. The Royal South Street Society competitions have always been about people – competitors, adjudicators, administrators, and volunteers. In 2008 the competitions attracted 6,689 entries, which equates to more than 10,000 competitors making in excess of 40,000 on-stage appearances across sixteen disciplines, watched by a paying audience of 29,187 people. Prizes and trophies in 2008 totalled $91,250. The total input of volunteers to stage the Eisteddfod last year was upward of 10,000 hours. The 2009 competitions will commence on 27 July, with a record number of entries received.

Showcase 2008Changes, though, are afoot for the Society as the 2009 Competitions approach. It has been a valuable feature of the Society that the Board and the discipline chairpersons have served for long periods of time. However, this means that they are getting older. So, at an administrative level, succession planning has been put in place. The chairperson of each discipline now has a younger deputy, who not only learns the tasks carried out by the chairperson but may also have fresh ideas to input. The size of the Board has been reduced to 8 to facilitate decision-making. And various sub-committees have been set up to assist the Board and the chairperson of each discipline.

One such sub-committee is the Historical Sub-Committee The Society has a huge amount of paper records accumulated over 130 years - guide books (each of which represent the annual program for the Competitions), lists of Competition results, cuttings from newspapers, photographs, etc. The Society also holds a small number of other items related to the Competitions, such as costumes, instruments, props, trophies, and memorabilia. The Society has formed an Historical Sub-Committee, whose task it is to catalogue all of these holdings in electronic format and obtain advice as to how the irreplaceable records of the Society can be preserved. As each paper record of the Society is converted to electronic format, there will be links to them on the Society's website (www.royalsouthstreet.com.au) to give the public better access to the Society’s collection.

As with all businesses, South Street has encountered increasing costs. At the present time, only 60% of its income is derived from the sale of guide books and tickets. And it is only very recently that the Eisteddfod has been successful in obtaining some Government funding. This has resulted in local and other businesses being asked to sponsor the shortfall in Society funds, something that businesses have by and large taken on board since it is estimated the Eisteddfod brings 15 million dollars into the Ballarat economy. Until recently, the Society has operated with volunteer Directors who are assisted by a full time paid secretary and an office administrator. Now a marketing manager has been appointed to look to the future viability of the Society and to ensure that businesses that support the Society derive the maximum benefit from their involvement.

Adjudication provides competitors with a benchmark for their performance and is seen as one of the most important aspects of the eisteddfod. Adjudicators value the opportunity to work at the Competitions, and South Street has prided itself on selecting the best adjudicators available for each discipline. Adjudicators have come from all states of Australia and many from England, beginning with Professor F.W. Beard in 1902.

South Street continues to address the needs of the arts. Its artistic policy includes:
* Promoting, fostering, and encouraging interest in the performing arts.
* Encouraging participation in a multiplicity of art forms and encouraging an appreciation of the arts as a natural means of expression.
* Stimulating and cultivating the interests of young people in the arts.
* Pursuing a standard of excellence in all activities.
These aims are as relevant in today’s world as they were when first promulgated.

As the 2009 Competitions approach, the challenge for the Ballarat community is to be with South Street as it functions with its renewed energy.
 

 

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Brother and sister win the U14 and U16 Leannie McInnis memorial award

Sam and Gretel Hayden for web 386 x 288Gretel and Sam Hayden were thrilled to win the Leanne McInnis memorial awards in this years Speech and Drama competitions. Gretel won the award in the under 16 division and Sam won it in Under 14. They have both been participating in Speech and Drama at Royal South Street for a number of years, and are students of Sally Vawdrey. It is special to note that Leanne McInnis was in fact Sally’s first speech art student. The Memorial awards were presented to Sam and Gretel by Leanne’s father Brian.

Gretel Hayden: “Winning the Leanne McInnis Award was a special experience for me. The story of Leanne McInnis is a sad one, she was only young when she passed away and that was especially sad. She loved drama, and so do I, she and I appear to have a lot in common. Winning felt very special because it was such a meaningful prize that I was honoured to be awarded. Through this generous award, Leanne’s legacy will go on for a long time, and I was proud to be the winner this year and be a part of that legacy.”

Sam Hayden: “Winning the Leanne McInnis award was very special for me. I felt happy that we can remember her through this memorial. I thought Mr McInnis was very brave to talk about his daughter and want to thank him for such a generous gesture.”
 

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